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Reviews A Week Away musical love during a one-week

The teen musical ” A Week Away ” about a juvenile delinquent who finds faith, friendship , and love during a one-week stint at a Christian youth camp,

is Netflix’s bid to grab  a piece of the so-called “Christian film market,” one of the few genres of feature to have experienced growth in the last couple of decades.


That “so-called” in the preceding sentence isn’t a swipe at the sincerity of anyone’s religious beliefs—

I’m sure that everyone involved with thisproject is either devout or respectful of those


who are—but a debate prompt, aimed at anybody who cares about faith, cinema, or both.


The story begins with orphaned teen Will Hawkins (Kevin Quinn, who looks like he could

be Zac Efron’s nephew) fleeing a police officer on foot,  guitar in hand.


We later learn that he’s a delinquent minor with a long rap sheet that includes such funny-rebellious

offenses as stealing a cop car  and putting his high school up for sale on Craigslist.


(There were offers.) Will is given a one-week stint at a Christian youth summer camp in lieu of criminal charges,

which is how you know that the hypothetical audience for this movie is middle-class, suburban, and white.


Will was arrested without bodily harm, but a Black kid from anywhere in the United States who stole a cop car likely

wouldn’t be, and it’s hard to imagine that  The System would go out of its way to find reasons not to prosecute him.


The film tries to inoculate itself against charges of racial cluelessness by placing Will in the care of

a Black foster mother (Sherri Shepherd’s Kristin) who works at the aforementioned camp and has an earnest, nerdy

teenaged son named George (Jahbril Cook).



Will bunks with George at Camp Aweegaway (a week away, get it?), and each falls for a delightful girl and woos

her when they aren’t trying to win assorted competitions.


Will is smitten with Avery (Bailee Madison), the adorable daughter of the camp’s director

(David Koechner, the perfect actor for a role like this; he looks like half the beer-bellied,

motivational cliche-shouting high school gym coaches in America).


George makes a play for Avery’s cute but socially awkward pal (Kat Conner Sterling),

and slowly overcomes his poor-self image with the support of the much cooler Will.


There’s a fun, short fantasy musical number, reminiscent of a Super Bowl halftime show or a grand finale

musical number on “American Idol,” set right after Will does a “makeover” on him, and a few

other moderately engaging numbers set on arrival day, in the camp’s cafeteria, and in and around the swimming hole.


There’s almost nothing in the way of dramatic stakes, though, save for a very brief third-act interlude

where Will faces the consequences of lying  to Avery about his criminal past.  This, of course, is a false sort of “conflict”

because we know Avery would never cut the handsome, considerate, sensitive

Will loose over such a minor transgression.


The “villain” in the movie, a lanky redhead played by Iain Tucker, isn’t all that threatening or menacing. His main sins are competitive pride,

jealousy, and an overweening smugness.



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